“I’m sick of how bisexuality is erased in LGBT spaces. I get really nervous before any LGBT event, especially Pride. I feel incredibly sad and hopeless when gay and lesbian people call me insulting names. If gay and lesbian people don’t understand me – Continue reading Prejudice at Pride at Empathize This
This just punched me in the heart.
Tag: misogynoir
Even as Black girls and Black women from young to old are erased from history, as both supporters of justice for Black people and as ones who also experience State violence, Black girls and Black women, young to old, regularly show up. Always have. No matter what lie anyone tells you whether on Twitter or in textbooks.
When women can’t go out because they’re asking for rape, and black men can’t go out because they’re asking to be shot, it’s time for a fuckin’ change.
Black women and girls lost to gun violence, police brutality, intimate partner violence and transphobia:
Dana Larkin
Kassandra Perkins
Rekia Boyd
Tarika Wilson
Aiyana Stanley-Jones
Adaisha Miller
Brandy Martell
Deanna Cook Patrick
Tyisha Miller
Ashley Sinclair
We remember your names and we honor your lives.
We want you all to know and remember that Black girls are always present despite efforts to disappear, displace, and rearrange us.
I want you to know what the members of Combahee River Collective wanted the world to know: black girls and black women are inherently valuable. To say that black women and girls are valuable to is to acknowledge the brilliance, labor, and love that proceeds from their very existence. To affirm and practice that black women and girls are inherently valuable is to negate the systems of oppression that depend on appropriating surplus value from black girls and other peoples in order to reproduce their death-dealing relations. To know that black girls are inherently valuable is to speak life in the face of death. Know that.
I think about the work that my mentors at SOLHOT do and the deep immense gap there is in the representation of our stories. Black girls and women have been trying for centuries to tell the world that they are killing us. Yes, some of us live to tell those stories, but others don’t. This fight against white supremacist police brutality will not see any success if we continue to treat the violence and deaths of Black women and girls as a secondary niche cause for only feminists to deal with. Our lives are valuable. our names are worthy of remembering. SOLHOT created Know /Remember for this reason. We need to Know/Remember these girls and women and the countless. COUNTLESS. (64,000 Black girls are gone in this country. Missing or dead) others who get swept under the radar or are relegated to misinformed/incorrect scrolling updates on our fuckshit news coverage of the war being waged over Black bodies. There is no racial justice without gender justice and lives of Black girls and women that were taken at the hands of police are not any less valuable or worthy of mention.
Know/Remember:
Tyisha Miller: Feb 8, 1999 Miller and five girlfriends went to a nearby mall at about 4 p.m., stayed for a few hours and then headed for an amusement park. There, they went on a water ride, filled out job applications for the ride, then went to a city park, where they “talked and wrestled on the grass.” Some of the girlfriends say they had been drinking, but others deny it. An autopsy found that Miller had been drinking that day. At about 12:30 a.m., Miller dropped off all but one of her friends, a 15-year-old girl nicknamed Bug. While heading home to Rubidoux, the car got a flat tire and they stopped at a convenience store. There, according to what friends told lawyers, a white man the young women didn’t know replaced the flat with a spare. But the air pump at the convenience store didn’t work, so they drove to a gas station, less than a mile away, followed by the man. When they realized the spare tire would not hold air, Miller began calling friends for help. Bug hitched a ride to Rubidoux with the man, while Miller waited with the car for her friends to arrive.
Shantel Davis: June 16, 2012 Unarmed 23-year-old Shantel was fatally shot by an NYPD officer in East Flatbush Thursday.
Alesia Thomas: Alesia Thomas lost consciousness and died in Los Angeles police custody on July 22, 2013, after being handcuffed, placed in a hobble restraint device (leg restraints) and put into the back of a patrol vehicle.
!!!
These tweets (and one retweet) are from my friend Ryan, a journalist who has been on the ground in Ferguson for the past few days. (His Twitter account is here, and it’s a great source of updates on the situation there [x]).
I just wanted to remind everybody that while spreading word about Michael Brown’s unjust murder and the horrifying events of the night of August 14, 2014, please do not oversimplify or ignore the complexities of the situation.
Journalists in the town have been doing what journalists do: focusing on all the negative aspects about the community to try and make it look like a hell-hole in order to sell their own pictures and stories, and basically all many of them want to do is further their own careers. But focusing on all that negativity only paints the picture of one side of the story, ignoring a lot of other important things going on there.
Please do not fall prey to the media’s game. Anger at the actions of the police in Ferguson is totally justified, but in the midst of that we cannot allow the people who are living with the situation every day to be dehumanized. Despite all this tragedy and chaos going on around them, they’re still a community and in many ways they’re pulling through all of it together. They want peace. Anyone looting or burning things down is a very small portion of the community. The whole story is so much bigger.
A story doesn’t need tear gas to be interesting. We need to hear every side of this story, not just the horrific parts.
TL:DR: please don’t fall prey to media attempts to dehumanize and oversimplify the situation in ferguson!!
Always remember female victims of police violence & brutality. Adding:
#AiyanaJones
#KathrynJohnston…and Marlene Pinnock, Miriam Carey, Kendra James, Alesia Thomas…
OITNB star visits Kara Walker’s exhibit, misses point: some notes for our fellow white queers
by Emma Shakarshy and Cordelia NailongClick the title for the full article.Queer communities have a long way to go to be the welcoming places that we would like them to be, especially when it comes to racism.
Orange is The New Black’s “Big Boo”, Lea Delaria, recently viewed Kara Walker’s “A Subtlety”, an exhibit in Brooklyn’s Domino Sugar Factory that highlights the legacies of white supremacy, capitalism, colonialism, anti-blackness, slavery, and patriarchy that have shaped the past 500 years. The Domino Sugar Factory was chosen as a venue for this piece for a number of reasons including the fact that enslaved folks were the foundation of the sugar economy that Domino rose from and were the enslaved labor of the sugar plantations. This is not to mention that factories like this one literally processed sugar from brown to white. Walker’s exhibit features sculptures of enslaved children made of molasses to highlight the sugar factories, as well as many other industries’, reliance on black labor to benefit white capitalistic goals.
The center of Walker’s exhibit is a 40 foot-tall sphinx created out of sugar, with the head of the black “mammy” stereotype, representing the racist iconography of the black female domestic servant at the hands of white families. The sphinx’s body is that of the oversexualized black woman, often seen as props in music videos (think Miley Cyrus’s “We Can’t Stop”) and TV and film.
Many white viewers of Walker’s piece have made the news by taking racist,misogynistic selfies with the piece, cupping, licking, and generally abusing the work. In his piece, “Why I Yelled at the Kara Walker Exhibit,” Nicholas Powers writes that the pornographic jokes are recreations of the very racism that the art is meant to critique.
Lea Delaria, queer comedienne and celeb with an Instagram following of 167,000 users, unfortunately offered no exception. DeLaria posed with the piece, positioned between the sphinx’s breasts, with the head of the work cut off, and the caption “Sugar Tits.” Her next photo is of her looking smugly from beneath the buttocks and vulva of the sphinx, with the caption, “That’s what I call looking into the face of god. #karawalkerdomino #theeffectsofgammaraysonmaninthemooncunt.” This is incredibly disrespectful. In viewing a sculpture critiquing the oversexualization and white exploitation of black bodies, DeLaria is perpetuating that same sexualization and encouraging her followers to do so as well.
OITNB star visits Kara Walker’s exhibit, misses point: some notes for our fellow white queers